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Sabtu, 26 Desember 2015

A Brief History of Charles Dickens



 

Early Life

Famed British author Charles Dickens was born Charles John Huffam Dickens on February 7, 1812, in Portsmouth, on the southern coast of England. He was the second of eight children. His father, John Dickens, was a naval clerk who dreamed of striking it rich. Charles Dickens’ mother, Elizabeth Barrow, aspired to be a teacher and school director. Despite his parents’ best efforts, the family remained poor. Nevertheless, they were happy in the early days. In 1816, they moved to Chatham, Kent, where young Charles and his siblings were free to roam the countryside and explore the old castle at Rochester.
In 1822, the Dickens family moved to Camden Town, a poor neighborhood in London. By then the family’s financial situation had grown dire, as John Dickens had a dangerous habit of living beyond the family’s means. Eventually, John was sent to prison for debt in 1824, when Charles was just 12 years old.
Following his father’s imprisonment, Charles Dickens was forced to leave school to work at a boot-blacking factory alongside the River Thames. At the rundown, rodent-ridden factory, Dickens earned six shillings a week labeling pots of “blacking,” a substance used to clean fireplaces. It was the best he could do to help support his family. Looking back on the experience, Dickens saw it as the moment he said goodbye to his youthful innocence, stating that he wondered “how [he] could be so easily cast away at such a young age.” He felt abandoned and betrayed by the adults who were supposed to take care of him. These sentiments would later become a recurring theme in his writing.
Much to his relief, Dickens was permitted to go back to school when his father received a family inheritance and used it to pay off his debts. But when Dickens was 15, his education was pulled out from under him once again. In 1827, he had to drop out of school and work as an office boy to contribute to his family’s income. As it turned out, the job became an early launching point for his writing career.
Within a year of being hired, Dickens began freelance reporting at the law courts of London. Just a few years later, he was reporting for two major London newspapers. In 1833, he began submitting sketches to various magazines and newspapers under the pseudonym “Boz.” In 1836, his clippings were published in his first book, Sketches by Boz. Dickens’ first success caught the eye of Catherine Hogarth, whom he soon married. Catherine would grace Charles with a brood of 10 children before the couple separated in 1858.

Early Writing

In the same year that Sketches by Boz was released, Dickens started publishing The Posthumous Papers of the Pickwick Club. His series of sketches, originally written as captions for artist Robert Seymour’s humorous sports-themed illustrations, took the form of monthly serial installments. The Posthumous Papers of the Pickwick Club was wildly popular with readers. In fact, Dickens’ sketches were even more popular than the illustrations they were meant to accompany.
Around this time, Dickens had also become publisher of a magazine calledBentley’s Miscellany. In it he started publishing his first novel, Oliver Twist, which follows the life of an orphan living in the streets. The story was inspired by how Dickens felt as an impoverished child forced to get by on his wits and earn his own keep. Dickens continued showcasing Oliver Twist in the magazines he later edited, including Household Words and All the Year Round, the latter of which he founded. The novel was extremely well received in both England and America. Dedicated readers of Oliver Twist eagerly anticipated the next monthly installment.
Over the next few years, Dickens struggled to match the level of Oliver Twist’s success. From 1838 to 1841, he published The Life and Adventures of Nicholas Nickleby, The Old Curiosity Shop and Barnaby Rudge.
In 1842, Dickens and his wife, Kate, embarked on a five-month lecture tour of the United States. Upon their return, Dickens penned American Notes for General Circulation, a sarcastic travelogue criticizing American culture and materialism.
In 1843, Dickens wrote his novel The Life and Adventures of Martin Chuzzlewit, a story about a man’s struggle to survive on the ruthless American frontier. The book was published the following year.
Over the next couple of years, Dickens published two Christmas stories. One was the classic A Christmas Carol, which features the timeless protagonist Ebenezer Scrooge, a curmudgeonly old miser, who, with the help of a ghost, finds the Christmas spirit

Fame

During his first U.S. tour, in 1842, Dickens designated himself as what many have deemed the first modern celebrity. He spoke of his opposition to slavery and expressed his support for additional reform. His lectures, which began in Virginia and ended in Missouri, were so widely attended that ticket scalpers started gathering outside his events. Biographer J.B. Priestly wrote that during the tour, Dickens “had the greatest welcome that probably any visitor to America has ever had.”
“They flock around me as if I were an idol,” bragged Dickens, a known show-off. Although he enjoyed the attention at first, he eventually resented the invasion of privacy. He was also annoyed by what he viewed as Americans’ gregariousness and crude habits, as he later expressed in American Notes.
In light of his criticism of the American people during his first tour, Dickens launched a second U.S. tour, from 1867 to 1868, hoping to set things right with the public.
On his second tour, he made a charismatic speech promising to praise the United States in reprints of American Notes for General Circulation and The Life and Adventures of Martin Chuzzlewit.
His 76 readings earned him no less than $95,000, which, in the Victoria era, amounted to approximately $1.5 million in current U.S. dollars.
Back at home, Dickens had become so famous that people recognized him all over London as he strolled around the city collecting the observations that would serve as inspiration for his future work.

Later years

In 1845, after Dickens had toured the United States once, he spent a year in Italy writing Pictures from Italy. Over the next two years he published, in installments, his next novel, Dealings with the Firm of Dombey and Son. The novel’s main theme is how business tactics affect a family’s personal finances. It takes a dark view of England and was pivotal to Dickens’ body of work in that it set the tone for his other novels.
From 1849 to 1850, Dickens worked on David Copperfield, the first work of its kind; no one had ever written a novel that simply followed a character through his everyday life. In writing it, Dickens tapped into his own personal experiences, from his difficult childhood to his work as a journalist. AlthoughDavid Copperfield is not considered Dickens’ best work, it was his personal favorite. It also helped define the public’s expectations of a Dickensian novel.
During the 1850s, Dickens suffered two devastating losses: the deaths of his daughter and father. He also separated from his wife during that decade, with Dickens slandering Kate publicly. He had also met a young actress named Ellen "Nelly" Ternan, with whom he had an intimate relationship. Sources differ on whether the two started seeing each other before or after Dickens' marital separation; it is also believed that he went to great lengths to erase any documentation alluding to Ternan's presence in his life. 
His novels also began to express a darkened worldview. In Bleak House, published in installments from 1852 to 1853, he deals with the hypocrisy of British society. It was considered his most complex novel to date. Hard Times(published in 1854) takes place in an industrial town at the peak of economic expansion. In it, Dickens focuses on the shortcomings of employers as well as those who seek change. Also among Dickens’ darker novels is Little Dorrit, a fictional study of how human values come in conflict with the world’s brutality.
Coming out of his “dark novel” period, in 1859 Dickens published A Tale of Two Cities, a historical novel that takes place during the French Revolution. He published it in a periodical he founded, All the Year Round. His next novel,Great Expectations (1860-1861), focuses on the protagonist’s lifelong journey of moral development. It is widely considered his greatest literary accomplishment. A few years later, Dickens produced Our Mutual Friend, a novel that analyzes the psychological impact of wealth on London society.

Death

In 1865, Dickens was in a train accident and never fully recovered. Despite his fragile condition, he continued to tour until 1870. On June 9, 1870, Dickens had a stroke and, at age 58, died at Gad’s Hill Place, his country home in Kent, England. He was buried in Poet’s Corner at Westminster Abbey, with thousands of mourners gathering at the beloved author’s gravesite. Scottish satirical writer Thomas Carlyle described Dickens’ passing as “an event worldwide, a unique of talents suddenly extinct.” At the time of Dickens’ death, his final novel, The Mystery of Edwin Drood, was left unfinished. Novels by Charles Dickens

Dickens's novels combine brutality with fairy-tale fantasy; sharp, realistic, concrete detail with romance, farce, and melodrama.; the ordinary with the strange. They range through the comic, tender, dramatic, sentimental, grotesque, melodramatic, horrible, eccentric, mysterious, violent, romantic, and morally earnest. Though Dickens was aware of what his readers wanted and was determined to make as much money as he could with his writing, he believed novels had a moral purpose–to arouse innate moral sentiments and to encourage virtuous behavior in readers. It was his moral purpose that led the London Times to call Dickens "the greatest instructor of the Nineteenth Century" in his obituary.
During his lifetime, Charles Dickens was the most famous writer in Europe and America. When he visited America to give a series of lectures, his admirers followed him, waited outside his hotel, peered in windows at him, and harassed him in railway cars. In their enthusiasm, Dickens's admirers behaved very much like the fans of a superstar today. His famous writings during his life are:
·         The Pickwick Papers – 1836
·         Oliver Twist – 1837
·         Nicholas Nickleby – 1838
·         The Old Curiosity Shop – 1840
·         Barnaby Rudge – 1841
·         Martin Chuzzlewit – 1843
·         Dombey and Son – 1846
·         David Copperfield – 1849
·         Bleak House – 1852
·         Hard Times – 1854
·         Little Dorrit – 1855
·         A Tale of Two Cities – 1859
·         Great Expectations – 1860
·         Our Mutual Friend – 1864
·         The Mystery of Edwin Drood – 1870

Partial Listing of Short Stories and Other Works by Charles Dickens in Alphabetical Order
·         American Notes
·         The Battle of Life
·         The Chimes: A Goblin Story
·         A Christmas Carol
·         A Christmas Tree
·         A Dinner at Poplar Walk
·         Doctor Marigold’s Prescriptions
·         A Flight
·         Frozen Deep
·         George Silverman’s Explanation
·         Going into Society
·         The Haunted Man
·         Holiday Romance
·         The Holly-Tree
·         Hunted Down
·         The Long Voyage
·         Master Humphrey’s Clock
·         A Message from the Sea
·         Mrs. Lirriper’s Legacy
·         Public Life of Mr. Trumble, Once Mayor of Mudfog
·         Sketches by Boz
·         The Story of the Goblins Who Stole a Sexton
·         Sunday under Three Heads
·         Tom Tiddler’s Ground
·         Travelling Abroad – City of London Churches
·         The Uncommercial Traveller
·         Wreck of the Golden Mary

SEJARAH DRAMA DUNIA




Drama Klasik
Yang disebut drama klasik adalah pada zaman Yunani dan Romawi. Padamasa kejayaan kebudayaan Yunani dan Romawi banyak sekali karya dramayang bersifat abadi, terkenal sampai kini.

Drama Yunani
Asal mula drama adalah kultus Dyonesos. Pada waktu itu, drama dikaitkan dengan upacara penyembahan kepada dewa, dan disebut tragedi. Kemudian tragedi mendapat makna lain, yaitu perjuangan manusia melawan nasib. Komedi sebagai lawan kata dari tragedi, pada zaman Yunani Kuno merupakan karikatur cerita duka dengan tujuan menyindir penderitaan hidup manusia. Ada tiga tokoh Yunani terkenal, yaitu Plato, Aristoteles, dan Sophocles. Menurut Plato, keindahan bersifat relatif. Karya seni dipandangnya sebagai mimetik, yaitu imitasi dari kehidupan jasmaniah manusia. Imitasi menurut Plato bukan demi kepentingan imitasi itu sendiri, tetapi demi kepentingan kenyataan.
Karya Plato yang terkenal adalah “The Republic”.

Drama Zaman Romawi
Terdapat tiga tokoh drama Romawi Kuno, yaitu Plutus, Terence, atau Publius Terence Afer, dan Lucius Seneca. Teater Romawi mengambil alih gaya teater Yunani. Mula-mula bersifat religius, lama-lama bersifat mencari uang (show biz). Bentuk pentas lebih megah dari zaman Yunani.

Drama Abad Pertengahan
Pengaruh gereja Katolik atas drama sangat besar pada zaman pertengahan ini. Dalam pementasan ada nyanyian yang dilagukan oleh para rahib dan diselingi dengan koor. Kemudian ada pagelaran "Pasio" seperti yang sering dilaksanakan di gereja menjelang upacara Paskah sampai saat ini.

Ciri khas drama abad Pertengahan, adalah sebagai berikut:
1. pentas kereta,
2. dekor bersifat sederhana dan simbolis,
3. pementasan simultan bersifat berbeda dengan pementasan simultan  drama modern.

Zaman Italia
Istilah yang populer dalam jaman Italia adalah Comedia del 'Arte yang bersumber dari komedi Yunani. Tokoh-tokohnya antara lain Dante, dengan karya-karyanya ”The Divina Comedy”, Torquato Tasso dengan karyanya drama-drama liturgis dan pastoral, dan Niccolo Machiavelli dengan karyanya “Mandrake”.

Ciri-ciri drama pada zaman ini, adalah sebagai berikut:
1. improvisatoris atau tanpa naskah
2. gayanya dapat dibandingkan dengan gaya jazz, melodi ditentukan dulu, baru kemudian pemain berimprovisasi (bandingkan teater tradisional diIndonesia),
3. cerita berdasarkan dongeng dan fantasi dan tidak berusaha mendekatikenyataan,
4. gejala akting, pantomime, gila-gilaan, adegan dan urutan tidak
    diperhatikan.
Tokoh-tokoh pelaku dalam komedi Italia mirip tokoh-tokoh cerita pewayangan,  sudah dipolakan yaitu:
· Arlecchino (The Hero, pemain utama),
· Harlekyn (punakawan/badut/clown), Pantalone (ayah sang gadis lakon),
· Dottere (tabib yang tolol),
· Capitano (kapten perebut gadis lakon),
· Columbina (punakawan putri),
· Gadis lakon (primadona yang menjadi biang lakon)

Zaman Elizabeth
Pada awal pemerintahan Raru Elizabeth I di Inggris (1558-1603), drama berkembang dengan pesatnya. Teater-teater didirikan sendiri atas prakarsasang ratu. Shakespeare, tokoh drama abadi adalah tokoh yang hidup pada jaman Elizabeth.

Ciri-ciri naskah drama jaman Elizabeth, adalah:
1. naskah puitis,
2. dialognya panjang-panjang,
3. penyusunan naskahnya lebih bebas, tidak mengikuti hukum yang sudahada,
4. laku bersifat simultan, berganda dan rangkap,
5. campuran antara drama dan humor.

Tokoh besarnya adalah William Shakespeare (1564-1616), dengan karya karyanya
“The Taming of the Schrew”, “Mid Summer Night Dream”, “King
Lear”, “Anthony and Cleopatra”, “Hamlet”, “Macbeth”, dan sebagainya. Hampir semuanya telah diterjemahkan oleh Trisno Sumardjo, Muh. Yamin, dan Rendra.

Perancis (Moliere dan Neoklasikisme)
Tokoh-tokoh drama di Perancis antara lain Pierre Corneille (Melite, Le Cid),  Jean Raccine (Phedra), Moliere, Jean Baptista Poquelin (Le Docteur Amoureux/The Love Sick Doctor, LesPreciueuses Rudicules/The Affected Young Lady, dan lain-lain), Voltaire (dengan filsafat dan karyanya yang aneh),  Denis Diderot (Le Per De Famille dan Le Fils Naturel), Beaumarchais (La Barbier De Seville/Barber of Seville, Le Mariage de Fogaro/The Marriage Of Fogaro).

Jerman (Zaman Romantik)
Tokoh-tokohnya antara lain Gotthol Ephraim Lessing (Emilia Galotti, Miss Sara Sampson, dan Nathan der Weise), Wolfgang von Goethe(Faust), Christhop Friedrich von Schiller (The Robbers, Love and Intrique, Wallenstein, dan beberapa adaptasi dari Shakespeare).

Drama Modern
Dalam bagian ini akan dijelaskan perkembangan drama modern di beberapa negara yang melanjutkan kejayaan tradisi pementasan dan penulisan drama yang telah dimulai pada jaman Yunani Kuno. Akan dikemukakan tokoh drama seperti Ibsen (Norwegia), Strindberg (Swedia), Bernard Shaw (Inggris), tokoh dari Irlandia, Perancis, Jerman, Italia, Spanyol, Rusia, dan terakhir Amerika Serikat yang menunjukkan perkembangan pesat. Semua ini sekedar informasi untuk memperluas cakrawala pengetahuan kita di Indonesia tentang
perkembangan drama di luar Indonesia.
  
Norwegia (Ibsen)
Tokoh paling terkemuka dalam penulisan drama di Norwegia adalah Henrick Ibsen (1828-1906). Karyanya yang paling terkenal dan banyak dipentaskan di Indonesia adalah "Nora", saduran dari terjemahan Armyn Pane "Ratna". Karya-karya Ibsen adalah “Love's Comedy”, “The Pretenders”, “Brand and Peer Gynt” (drama puitis), “A doll's House”, “An Enemy of the people”, “The Wild Duck”, “Hedda Gableer”, dan “Roshmersholm”. Ibsen tidak memberikan
karakter hitam putih, tetapi tokoh penuh tantangan, watak yang digambarkan kompleks dengan penggambaran berbagai segi kehidupan manusia.  Dialognya dengan gaya prosa yang realistis dengan menekankan mutu percakapan dan bersifat realistis. Gagasan yang dikemukakan dapat membangkitakan gairah dan memikat perhatian. Problem yang di angkat dapat menjadi lelucon drama yang besar dan diambil dari problem yang timbul dalam masyarakat biasa.

Swedia (August Strindberg)
Tokoh drama paling terkenal di Swedia adalah Strindberg (1849-1912). Karyakarya drama yang bersifat historis dari Strindberg di antaranya adalah “Saga of the Folkung” dan “The Pretenders”. “Miss Julia” dan “The Father” adalah drama naturalis. Drama penting yang bersifat ekspresionistis adalah “A Dream Play”, “The Dance of Death”, dan “The Spook Sonata”.

Inggris (Bernard Shaw dan Drama Modern)
Tokoh drama modern Inggris yang terpenting (setelah Shakespeare) adalah George Bernard Shaw (1856-1950) . Ia dipandang ssebagai penulis lakon terbesar dan penulis terbesar pada abad modern. Di Ingris Bernard Shaw memenduduki peringkat kedua setelah Shakespeare. Karya-karyanya antara lain adalah “Man and Superman”, “Major Barbara”, “Saint Joan”, “The Devil's Disciple”, dan “Caesar and Cleopatra”.

Tokoh drama modern di Inggris yang lain adalah James M. Barrie (1860-1937), dengan karya “Admirable Crichton”, “What Every Woman Knows”,  “Dear Brutus”, dan “Peter Pan”. Noel Coward dengan karya “Blithe Spirit”.  Somerest Mugham dengan karya “The Circle”. Christoper Fry dengan karyakaryanya  “A Phoenic Too Frequent”, “The Lady's Not for Burning”.

 Irlandia (Yeats sampai O'Casey)
Tokoh penting drama Irlandia Modern adalah William Butler Yeats yangmerupakan pemimpin kelompok sandiwara terkemuka di Irlandia dan Sean O'Casey (1884) dengan karyanya “The Shadow of a Gunman”, “Juno and the Paycock”, “The Plough and the Stars”, “The Silver Tassie”, “Within the Gates”,  dan “The Stars Turns Red”. Tokoh lainnya adalah John Millington Synge  (1871-1909) dengan karya-karya “Riders to the Sea” dan “The Playboy of the
Western World”. Synge Merupakan pelopor teater Irlandia yang mengangkat dunia teater menjadi penting di sana.

Perancis (dari Zola sampai Sartre)
Dua tokoh terkemuka di Perancis adalah Emile Zola (1840-1902) dan Jean Paul Sartre (1905). Karya-karya Emile Zola adalah “Therese Raquin” yang mirip “A Doll's House”. Eugene Brieux (1858-1932), menulis naskah  “Corbeaux” (The Vultures), “La Parisienne” (The Woman of Paris), dan “Les Avaries” (Damaged Gods). Edmond Rostan (1868-1918) dengan karya “Les Romanasques” (The Romancers) dan “Cyrano de Bergerac”. Maurice
Materlinck (1862-1949), dengan karyanya “Pelleas et Melisande” yang bercorak romantik. Jean Giraudoux (1882-1944), dengan karyanya “Amphitryen 38” dan “La Folle de Challiot” (The Madwoman of Challiot). Jean Giraudoux juga mengarang karya yang sangat terkenal, yaitu “La Guerre de Troie N'aura pas Lieu” yang diproduksi oleh Teater Broadway dengan judul "Tiger at the Gates".

Di Indonesia pernah dipentaskan oleh Darmanto Jt.  dengan judul "Perang Troya Tidak Akan Meletus", kisah tentang Hektor dan Helena. Jean Cocteau (1891-…) dengan karyanya La Machine Internale. Di antara pengarang selama Perang Dunia II, Jean Paul Sartre merupakan spotlight. Ia lahir pada tahun 1905 dan merupakan tokoh aliran eksistensialisme. Karya-karyanya antara lain “Huis Clos” (Ni Exit) dan “Les Mouches” (The Flies). Pengarang lainnya adalah Jean Anaoulih (1910-…) dengan karyanya “Le Bal des Voleurs” (Thieve's Carnivaly) dan “Antigone”  (terjemahan dari drama Sophocles).


Jerman dan Eropa Tengah (Hauptman sampai Brecht)
Banyak sekali sumbangan Jerman terhadap drama modern. Tokoh seperti Hebbel dan temannya telah mempelopori aliran realisme. Penulis naturalis terkenal adalah Gerhart Hauptman (1862-1946) dan Arthur Schnitzler (1862- 1931). Karya Hauptman antara lain adalah “The Weavers”, “The Sunken Bell”,  dan “Hannele”. Karya Schnitzler antara lain “Liebelei”, “Anatol” dan “Reigen”.  Pengarang lainnya Fernc Molnar (1878-1952) dengan karya “The Play's the Thing”, “The Guardsman”, dan “Liliom”. Karel Capek (1890-1938) dengan karya “The Insect Comedy” yang ditulis bersama kakaknya Yosef. Bertolt Brecht (1898-1956) dengan teaternya yang memiliki ciri-ciri an enthrailling,  masterfull, achievment, energetic, forceful, full of humor. Nama teaternya adalah Berliner Ensemble (ciri tersebut berarti memikat, indah sekali, penuh prestasi, penuh energi, daya kekuatan yang tinggi, dan penuh cerita humor). Karya-karya Brecht antara lain “Threepenny Opera”, “Mother Courage”, dan  “The Good Woman Setzuan”. Berline Ensemble sangat berpengaruh di masa sesudah Brecht.

Italia (dari Goldoni sampai Pirandillo)
Setelah zaman Renaissance, karya-karya drama banyak berupa opera disamping comedia dell'arte. Tokoh drama Italia antara lain Goldoni (1707- 1793) dengan karyanya “Mistress of the Inn”. Gabrielle D'Annunzio (1863- 1938) dan Luigi Pirandello (1867-1936) dengan karyanya “Right You Are”, “If You Think You Are”, “As You Desire Me”, “Henry IV”, “Naked”, “Six Charactersin Search of an Author”, dan “Tonight We Improvise”.

Spanyol (dari Benavente sampai Lorca)
Bagi Spanyol, abad XX sebagai abad kebangkitan dramatic spirit. Tokohnya antara lain Jacinto Benavente (1866-1954) yang pernah mendapat hadiah Nobel tahun 1922. Yang terkenal di Amerika, adalah karyanya yang berjudul  “Los Intereses Creados” (The Bonds of Interest) dan “La Marquerida” (The Passion Flower). Sejaman dengan Benavente adalah Gregorio Martinez Sierra  (1881-1947) dengan karyanya “The Cradle Song”. Pengarang paling penting
pada jaman modern di Spanyol adalah penyair dan penulis drama Frederico garcia Lorca (1889-1936). Dia dipandang sebagai orang yang dikagumi oleh penyair dan dramawan W.S. Rendra. Karya Lorca antara lain adalah  “Shoemaker's Prodigius Wife” dan “The House of Bernarda Alba”
.

Rusia (dari Pushkin sampai Andreyev)
Tzarina Katerin Agung dipandang sebagai pengembang drama di Rusia.  Pengarang pertama yang dipandang serius adalah Alexander Pushkin (1799-1837) dengan karyanya “Boris Godunov”, Sebuah tragedi historis. Nikolai Gogol (1809-1852), menulis antara lain “The Inspector General”. Alexander Ostrovski (1823-1886) menulis “Enough Stupidity in Every Wise Man”. Leo Tolkstoy (1828-1910) menulis “The Power of Darkness” Selanjutnya Anton Pavlovich Chekov(1860-1904) sangat terkenal di Indonesia, dengan karyanya
yang diterjemahkan menjadi "Pinangan" dan "Kebun Cherry" (The Cherry Orchid). Pohon Cherry merupakan karya besar Chekov. Karya lainnya adalah  “Uncle Vanya”, “The Sea Gull”, dan “The Three Sisters”. Ada kualitas dan cirri yang sama dari karya Chekov, yaitu tragedi senyap, hasrat, kerinduan, dan karakter yang hidup. Pengarang lain adalah Maxim Gorki (1868-1936) dengan karyanya “The Lower Depth”. Leonid Andreyev (1971-1919) dengan karyany
“The Live of Man”, “King Hunger”, dan “He Who Gets Slapped”.

Amerika (Godfrey sampai Miller)
Pengarang drama yang paling awal di Amerika adalah Thomas Godfrey,  dengan karya “The Prince of Parthia” (1767). Harriet Beecher Stowe (1811- 1896) menulis “The Octoroon”. David Belasco (1854-1931) menulis “The Girl of Goldent West”. Bronsin Howard (1842-1908) menulis “Shenandoah”. JamesA. Henre (1839-1901).